wall decor plates

Dressed in finery from a bygone era, a couple strolls on the hacienda grounds. Gorky González creates an exquisite decorative plate in the style of Mexico's colonial Majolica ceramics. The piece is shaped on a potter's wheel and painted by hand.

González signs his work "AT," for alfarería tradicional (traditional ceramics).

Artisans from the Angel Ceron Artisan Association recreate the elaborate stone sculpture known as the "Aztec Calendar" or "Sun Stone." Discovered in Mexico City, the original massive stone is on display in the National Museum of Anthropology and History. The Aztecs (or Mexica, as they called themselves) believed that the sun struggled daily against the forces of darkness. They aided the sun through human sacrifices. This beautiful replica is sculpted in clay.

A loop at the back facilitates wall display.

Working in ceramic, artisans from the Angel Cerón Artisan Association recreate the elaborate stone sculpture known as the "Aztec Calendar" or "Sun Stone." Discovered in Mexico City, the original massive stone is on display in the National Museum of Anthropology and History. The Aztecs (or Mexica, as they called themselves) believed that the sun struggled daily against the forces of darkness. They aided the sun through human sacrifices.

This handcrafted decorative ceramic plate features a colorful and whimsical night owl sitting on a branch beneath a moonlit sky. Designed by Mexican artisan Maria Isabel Cruz, the plate is made using the centuries-old dry rope technique, in which a wax mixture made of magnesium oxide and fat are applied to the outlines of the image or motif prior to glazing. The wax mixture creates a barrier that keeps the different fill colors in the design separate during firing, before burning off to reveal the blackened ceramic beneath. The plate can be hung on a wall for display via the nylon cord on the back.

A happy black cat with two blue birds for friends gazes out from this handcrafted decorative ceramic plate. Designed by Mexican artisan Maria Isabel Cruz, the plate is made using the centuries-old dry rope technique, in which a wax mixture made of magnesium oxide and fat are applied to the outlines of the image or motif prior to glazing. The wax mixture creates a barrier that keeps the different fill colors in the design separate during firing, before burning off to reveal the blackened ceramic beneath. The plate can be hung on a wall for display via the nylon cord on the back.

Bathing beneath the light of a stylized sun, three fish explore a watery world. Maria Isabel Cruz creates this piece, crafted using the dry rope technique, in which a wax mixture made of magnesium oxide and fat are applied to the outlines of the image or motif prior to glazing. The wax mixture creates a barrier that keeps the different fill colors in the design separate during firing, before burning off to reveal the blackened ceramic beneath.

Surrounded by little red fish, an enchanting mermaid holds a large starfish in her hand, decorating this piece of ceramic wall art from Mexico. Maria Isabel Cruz creates this piece, crafted using the dry rope technique, in which a wax mixture made of magnesium oxide and fat are applied to the outlines of the image or motif prior to glazing. The wax mixture creates a barrier that keeps the different fill colors in the design separate during firing, before burning off to reveal the blackened ceramic beneath. A length of nylon cord on the back provides for easy hanging.

Formed of three blue peyote buds, a lighted candle is radiant in this exquisite nierika, or votive beadwork painting by Kupihaute. A butterfly alights on either side in his composition, which takes the shape of a flower with five wide petals.

The artisan, who writes fluently in the Huichol, Nahuatl, Spanish and English languages, talks about this work in his own words. "The nierika is a mirror that is offered to the sea together with the first corn that has been harvested, in order to renew the cycle of rains that will give life to the next crop cycle. As in most of the ancient cultures of our planet, the candle represents our trajectory between being born and returning. For this reason, even today, during the celebration of our birthday, it is customary to light and blow out as many candles as solar cycles have elapsed. The butterflies and spirals are indicating that existence is energy in permanent transformation between arising from and returning to earth."

The intricate images are formed with tiny seed beads. Kupihuate patiently places them one at a time with a needle made of abalone shell onto a huanacaxtle wood backing. Beeswax is used instead of glue.

The process is totally spontaneous, with no previous sketch or design. It is guided by the artist's unconscious to tell the stories that remain in our collective ancestral memory. He signs his work with the symbol of a butterfly on the reverse side of the nierika.

For a whimsical and fun addition to your home decor, this piece of ceramic wall art portrays a dog, a cat, a bird, and a fish among colorful hearts and bubbles. Mexican artisan Maria Isabel Cruz creates this piece, crafted using the dry rope technique, in which a wax mixture made of magnesium oxide and fat are applied to the outlines of the image or motif prior to glazing. The wax mixture creates a barrier that keeps the different fill colors in the design separate during firing, before burning off to reveal the blackened ceramic beneath. A length of nylon cord on the back provides for easy hanging.

The cool moon tempers his ardor as the sun declares his love. Depicting a romantic, cosmic kiss, J. Blas designs a colorful wall sculpture. Themes of duality – good and bad, light and dark, sun and moon, day and night – appear throughout ancient Mexican thought.

A myriad shades of blue conjure a cool and soothing universe in this elegant nierika, or votive beadwork painting by Kupihaute. Scorpions scuttle purposefully around the center of the composition, which takes the shape of a flower with five wide petals.

The artist, who writes fluently in the Huichol, Nahuatl and English languages, talks about this work in his own words. "From the focal center of the nierika, the precious flower arises in spiral movement as the culminating expression of the deepest roots. The blossom is keeping in its entrails the seed that will disseminate the power of creative energy. This is symbolized by the scorpions that, in their wonderful body symmetry, show the essence of the power itself, since any imbalance in its mating dance, any missing the target, will cause its own poisoning and thus its own death. Therefore the symbol of cosmos, of order is shown in their mouths and the tails."

The intricate images are formed with tiny seed beads. Kupihuate patiently places them one at a time with a needle made of abalone shell onto a huanacaxtle wood backing. Beeswax is used instead of glue.

The process is totally spontaneous, with no previous sketch or design. It is guided by the artist's unconscious to tell the stories that remain in our collective ancestral memory. He signs his work with the symbol of a butterfly on the reverse side of the nierika.

A lovely angel with hands folded in prayer and roses in her flowing auburn hair graces this handcrafted decorative ceramic plate. Designed by Mexican artisan Maria Isabel Cruz, the plate is made using the centuries-old dry rope technique, in which a wax mixture is applied to the outlines of the image or motif prior to glazing. The wax mixture creates a barrier that keeps the different fill colors in the design separate during firing, before burning off to reveal the blackened ceramic beneath. The plate can be hung on a wall for display via the nylon cord on the back.