long scarf

Golden yellow stool thrones alternate with black and white squares and stripes in this bold cotton kente scarf. Ghana's Gobah Tengey-Seddoh Family selects the Fiazikpui pattern for a scarf of three fabric strips.

The Fiazikpui motif is created primarily on the weft, or horizontal threads of the loom. The design, which means, "Seat of a King," originated in the 14th century to honor one of the head chiefs or kings of what is now Ghana.

Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern.

Golden yellow stool thrones alternate with black and white squares and stripes in this bold cotton kente scarf. Ghana's Gobah Tengey-Seddoh Family selects the Fiazikpui pattern for a scarf of two fabric strips.

The "Fiazikpui" motif is created primarily on the weft, or horizontal threads of the loom. The design, which means, "Seat of a King," originated in the 14th century to honor one of the head chiefs or kings of what is now Ghana.

Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern.

Golden yellow stool thrones alternate with black and white squares and stripes in this bold cotton kente scarf. Ghana's Gobah Tengey-Seddoh Family selects the Fiazikpui pattern for a scarf of one single fabric strip.

The "Fiazikpui" motif is created primarily on the weft, or horizontal threads of the loom. The design, which means, "Seat of a King," originated in the 14th century to honor one of the head chiefs or kings of what is now Ghana.

Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern.

Shimmering strands of yellow rayon are skillfully worked across green and black threads in this superlative kente cloth scarf. An extremely intricate double weave, its pattern is created primarily on the weft, or horizontal threads of the loom. Great care must be taken so that the blocks of color have same size and match one another when the woven strips are joined. A special stick is used to measure the cloth on the loom so Gobah Tengey-Seddoh names this design Atikpui (measure).

Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern. The simplest use mostly vertical, or warp patterns, and an experienced weaver can make several of those in one day. But patterns with nearly all weft patterns, where the warp design is hardly visible, can take up to four days to complete an individual strip. Each color has its own meanings in Asante culture. Green is fertility and new harvest, gold is royalty, black is strength, aging, and spirituality, while white is purity. The patterns themselves are carefully chosen symbols, which a master weaver develops and names, often to honor people, historical events, or proverbs.

Dry clean only.

Golden highlights add a regal touch to this superlative textile by the Gobah-Tengey family. Created in rich kente cloth strips, its name means "Conference in Angola." Takpekpe was designed in 1950 by the late Atsu Gobah Tengey-Seddoh to commemorate a special meeting called by the colonial governor to discuss an additional tax or levy being imposed on the subjects. The conference raised voices against the payment of the special levy.

Expert weavers, the Gobah Tengey-Seddoh Family creates this outstanding shawl in 100% cotton. Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern. The simplest use mostly vertical, or warp patterns, and an experienced weaver can make several of those in one day. But patterns with nearly all weft (horizontal thread) patterns where the warp design is hardly visible can take up to four days to complete an individual strip. Each color has its own meanings in Asante culture. Green is fertility and new harvest, gold is royalty, black is strength, aging, and spirituality, while white is purity. The patterns themselves are carefully chosen symbols, which a master weaver develops and names, often to honor people, historical events, or proverbs.

Hand wash in cool water and use a warm iron.

The intricate texture in this handsome kente cloth shawl is inspired by beach pebbles. Designed by a fisherman around 1898, its name means "pebbles of the shore are hard to crack." The tiny blocks of pattern represent the thoughts of that ancestral craftsman. Handcrafted by the Gobah Tengey-Seddoh Family, this extraordinary double weave textile is one of the most difficult patterns to achieve. These expert weavers use traditional looms and a cotton blend.

Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern. The simplest use mostly vertical, or warp patterns, and an experienced weaver can make several of those in one day. But patterns with nearly all weft (horizontal thread) patterns, where the warp design is hardly visible, can take up to four days to complete an individual strip. Each color has its own meanings in Asante culture. Green is fertility and new harvest, gold is royalty, black is strength, aging, and spirituality, while white is purity. The patterns themselves are carefully chosen symbols, which a master weaver develops and names, often to honor people, historical events, or proverbs.

The intricate texture in this handsome kente cloth shawl is inspired by beach pebbles. Designed by a fisherman around 1898, its name means "pebbles of the shore are hard to crack." The tiny blocks of pattern represent the thoughts of that ancestral craftsman. Handcrafted by the Gobah Tengey-Seddoh Family, this extraordinary double weave textile is one of the most difficult patterns to achieve. These expert weavers use traditional looms and a cotton blend.

Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern. The simplest use mostly vertical, or warp patterns, and an experienced weaver can make several of those in one day. But patterns with nearly all weft (horizontal thread) patterns, where the warp design is hardly visible, can take up to four days to complete an individual strip. Each color has its own meanings in Asante culture. Green is fertility and new harvest, gold is royalty, black is strength, aging, and spirituality, while white is purity. The patterns themselves are carefully chosen symbols, which a master weaver develops and names, often to honor people, historical events, or proverbs.

Cotton yarns add rich texture to this brilliant kente cloth shawl by the Gobah Tengey-Seddoh Family. Strips of black, white and blue make a dramatic and handsome color combination. Designed and woven of coarse local cotton in the 12th century, the lokpo pattern means "heavy or thick in texture."

Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern. The simplest use mostly vertical, or warp patterns, and an experienced weaver can make several of those in one day. However patterns with nearly all weft (horizontal thread) patterns where the warp design is hardly visible can take up to four days to complete an individual strip. Each color has its own meanings in Asante culture. Green is fertility and new harvest, gold is royalty, black is strength, aging and spirituality, while white is purity. The patterns themselves are carefully chosen symbols, which a master weaver develops and names, often to honor people, historical events, or proverbs.

Designed by a fisherman around 1898, this intricate kente cloth pattern is inspired by beach pebbles. The tiny blocks of pattern represent the thoughts of that ancestral craftsman. Kpekui states a proverbial refrain: "pebbles of the shore are hard to crack." Handcrafted by the Gobah Tengey-Seddoh Family, this extraordinary double weave textile is one of the most difficult patterns to achieve.

Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern. The simplest use mostly vertical, or warp patterns, and an experienced weaver can make several of those in one day. But patterns with nearly all weft (horizontal thread) patterns, where the warp design is hardly visible, can take up to four days to complete an individual strip. Each color has its own meanings in Asante culture. Green is fertility and new harvest, gold is royalty, black is strength, aging, and spirituality, while white is purity. The patterns themselves are carefully chosen symbols, which a master weaver develops and names, often to honor people, historical events, or proverbs.