ghana kente cloth

Shimmering strands of yellow rayon are skillfully worked across green and black threads in this superlative kente cloth scarf. An extremely intricate double weave, its pattern is created primarily on the weft, or horizontal threads of the loom. Great care must be taken so that the blocks of color have same size and match one another when the woven strips are joined. A special stick is used to measure the cloth on the loom so Gobah Tengey-Seddoh names this design Atikpui (measure).

Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern. The simplest use mostly vertical, or warp patterns, and an experienced weaver can make several of those in one day. But patterns with nearly all weft patterns, where the warp design is hardly visible, can take up to four days to complete an individual strip. Each color has its own meanings in Asante culture. Green is fertility and new harvest, gold is royalty, black is strength, aging, and spirituality, while white is purity. The patterns themselves are carefully chosen symbols, which a master weaver develops and names, often to honor people, historical events, or proverbs.

Dry clean only.

Designed by a fisherman around 1898, this intricate kente cloth pattern is inspired by beach pebbles. The tiny blocks of pattern represent the thoughts of that ancestral craftsman. Kpekui states a proverbial refrain: "pebbles of the shore are hard to crack." Handcrafted by the Gobah Tengey-Seddoh Family, this extraordinary double weave textile is one of the most difficult patterns to achieve.

Each strip requires considerable effort, and the looms are worked with both hands and feet. Strips are generally three to four inches wide and seven to ten feet long, and the length of time it takes to complete one strip varies by the complexity of the chosen pattern. The simplest use mostly vertical, or warp patterns, and an experienced weaver can make several of those in one day. But patterns with nearly all weft (horizontal thread) patterns, where the warp design is hardly visible, can take up to four days to complete an individual strip. Each color has its own meanings in Asante culture. Green is fertility and new harvest, gold is royalty, black is strength, aging, and spirituality, while white is purity. The patterns themselves are carefully chosen symbols, which a master weaver develops and names, often to honor people, historical events, or proverbs.

Woven by hand, traditional West African kente cloth becomes a colorful scarf. Deborah Osei Boakye continues her grandfather's craft with this extraordinary design. Each strip of kente cloth requires considerable effort, and the looms are worked with both hands and feet. Each color has its own meanings in Ashanti culture, and the patterns themselves are carefully chosen symbols, which a master weaver develops and names. This design is named Nsatsia, meaning "fingers" in the Akan language. Its motifs suggest interlocking fingers from both hands.

Originated by the Akan peoples of Ghana, colorful kente cloth is the best-known of all African textiles. Kente cloth is woven in strips, which is how it came by its name (kente means "basket" in the Ashanti dialect). Ghana's Rachel Armah creates this colorful cotton blend scarf in cheerful shades of purple, saffron, brown and aqua.

In kente cloth, each color has a symbolic meaning: black symbolizes maturation and intensified spiritual energy; blue signifies peacefulness, harmony and love; green symbolizes vegetation, planting, harvesting, growth, and spiritual renewal; gold represents royalty, wealth, high status, glory, and spiritual purity; grey is for healing and cleansing rituals; maroon signifies the color of mother earth, associated with healing; pink and purple are associated with the female essence and female aspects of life; red symbolizes political and spiritual moods, bloodshed, sacrificial rites and death; silver is associated with the moon and represents serenity, purity, and joy; white is for purification, sanctification rites and festive occasions; and yellow represents preciousness, royalty, wealth, fertility, and beauty.

Woven by hand, this exceptional kente cloth scarf features colorful rectangles on a brown background. Alternating squares show a fishnet pattern giving the scarf its name – Do, or "Net" in the Ewe language. By the Gobah Tengey-Seddoh Family, each strip requires considerable effort, and the looms are worked with both hands and feet. The patterns themselves are carefully chosen symbols, which a master weaver develops and names, often to honor people, historical events or proverbs.

Designed by Ghana's Deborah Osei Boakye, this delightful bow tie celebrates traditional African handicrafts. Local artisans hand-weave cotton kente cloth in vibrant colors, sewn to make this striking bow tie. An elastic strap circles the neck, so this accessory does not have to be tied.

Originated by the Akan peoples of Ghana, colorful kente cloth is the best-known of all African textiles. Kente cloth is woven in strips, which is how it came by its name (kente means "basket" in the Ashanti dialect). Ghana's Rachel Armah creates this colorful cotton blend scarf in cheerful shades of purple, saffron, brown and aqua.

In kente cloth, each color has a symbolic meaning: black symbolizes maturation and intensified spiritual energy; blue signifies peacefulness, harmony and love; green symbolizes vegetation, planting, harvesting, growth, and spiritual renewal; gold represents royalty, wealth, high status, glory, and spiritual purity; grey is for healing and cleansing rituals; maroon signifies the color of mother earth, associated with healing; pink and purple are associated with the female essence and female aspects of life; red symbolizes political and spiritual moods, bloodshed, sacrificial rites and death; silver is associated with the moon and represents serenity, purity, and joy; white is for purification, sanctification rites and festive occasions; and yellow represents preciousness, royalty, wealth, fertility, and beauty.

Ghana's Rachel Armah celebrates the African tradition of kente cloth, weaving this textile by hand on the traditional loom. Crafted of cotton and rayon blend fibers, it features four colorful strips of cloth that are sewn together, serving as an excellent shawl.

The rich tradition of Akan kente cloth is celebrated by Ghana's Rachel Armah. Using cotton and rayon blend fibers, she weaves a single strip on the traditional hand loom. Colorful motifs decorate the cloth, which makes for an excellent scarf. The scarf is named Fathia, an Akan name.

Crafted of cotton, this striking necktie is sure to make a statement. Ghana's Michael Butler designs the tie, which features multicolored designs that evoke kente cloth printed on its surface.

Woven by hand, traditional West African kente cloth becomes a colorful scarf. Rachel Armah presents a traditional design known as Fatia fata Nkrumah. The phrase means "Fatia deserves Nkrumah" in the Akan language. Dr. Kwame Nkrumah was Ghana's first president and Fatia was his wife, thus this motif is named for the First Lady.

Each strip of kente cloth requires considerable effort, and the looms are worked with both hands and feet. Each color has its own meanings in Asante culture. Green is fertility and new harvest, gold is royalty, black is strength, aging and spirituality, and white is purity.

A colorful cotton print depicts Ghana's traditional Edwene Asa kente design. The phrase means "all motifs are used up" in the Akan language, indicating the number of different patterns combined in this one. Each color in kente cloth has its own meanings in Asante culture. Green is fertility and new harvest, gold is royalty, black is strength, aging and spirituality, and white is purity.

Justina Botwey uses the fabric to craft a pair of beautiful contoured face masks. Lined in solid white, both are double-layered, washable and reusable, with elastic loops to slip over the ears. "To me, the combination of colors in this kente design indicates that, despite our differences, we are still one people," the artisan affirms.

The position of individual prints and colors will vary but the fabric will remain the same.